Making Prints

From top left, clockwise:

Making Anthotypes in the sun; Jasmine on Assam tea anthotype after exposure; lumen printing with wet yew branches; beginning the anthotype coating process with some distilled red cabbage 'emulsion'; exposing lumens in the UV unit (and topping up some anthotypes too); the honeysuckle and Ouzo anthotype that didn't work BUT taught me that Ouzo as an alcohol base is oily, and gives the paper a translucent quality, making the anthotype only visible when held up to the light (a la Turin Shroud).

This somehow defeats the object but is interesting...     >>